Post by Admin on Oct 14, 2021 4:19:07 GMT
Olivia has gone from "that girl on Disney's High School Musical: The Musical: The Series" to a worldwide pop star in the span of a few months. In a recent Rolling Stone interview opposite Alanis Morissette, she touched on experiencing viral fame almost "overnight."
"At least for me, it felt super-quick," she said. "It felt overnight, and I’ve been working and writing songs since I was five years old. It definitely wasn’t overnight. But the 'I’m writing songs in my bedroom,' to 'Oh, my gosh, lots of people know this song' was really quick for me."
She also explained the adjustments she's had to make in her own life to be able to handle the constant scrutiny. "Putting out music in the age of social media can be really daunting, and I think people hold young women to an incredibly unrealistic standard," she said.
"I don’t think anyone is meant to look at that stuff. I don’t think we as human beings are supposed to know what thousands of people think about what we wore or what we said or how we talk. I think having that separation is really important — realizing that that’s not real life, you know what I mean? That world that is created online, it’s just one facet of this very big human existence."
She went on to add: "It’s just hard for me because I had my first Instagram when I was 12 years old. So I completely had all of my adolescence in front of people, and I think it’s hard to differentiate who you are as a person versus who you are as a person on Instagram."
Everyone that's heard "Driver's License" (probably even those that haven't) can tell you it's a raw, emotional song. Olivia explained that making music is a "magical" experience for her when saw how her songs connected with others. "I think heartbreak is so universal — the feeling that lots of humans feel the most deeply," she said. "I’ve never felt as deep a sadness as I did when I was truly, truly heartbroken and devastated. And when I put out 'Drivers License,' about this really hard time in my life, I watched it just affect so many people, regardless of sexual orientation or gender or age."
"There would be 40-year-old guys that would come up to me and be like, 'Wow, that really struck me.' Even if they weren’t going through a situation like that, they were like, 'Oh, it takes me right back to when I was in high school and I went through my first heartbreak.' That was so magical for me, to not only see how universal that feeling was, but also how magical music can be and it can take you back to a specific point in time."
She said one of the biggest things she's learned is how to separate herself from her work once it's out in the world and open for interpretation. "I always think that creativity is sometimes really magical and celestial, and if you’re a vessel for an amazing song, that’s awesome, but sometimes it doesn’t have anything to do with you," she said. "I try to not attach a lot of ego to it."
"At least for me, it felt super-quick," she said. "It felt overnight, and I’ve been working and writing songs since I was five years old. It definitely wasn’t overnight. But the 'I’m writing songs in my bedroom,' to 'Oh, my gosh, lots of people know this song' was really quick for me."
She also explained the adjustments she's had to make in her own life to be able to handle the constant scrutiny. "Putting out music in the age of social media can be really daunting, and I think people hold young women to an incredibly unrealistic standard," she said.
"I don’t think anyone is meant to look at that stuff. I don’t think we as human beings are supposed to know what thousands of people think about what we wore or what we said or how we talk. I think having that separation is really important — realizing that that’s not real life, you know what I mean? That world that is created online, it’s just one facet of this very big human existence."
She went on to add: "It’s just hard for me because I had my first Instagram when I was 12 years old. So I completely had all of my adolescence in front of people, and I think it’s hard to differentiate who you are as a person versus who you are as a person on Instagram."
Everyone that's heard "Driver's License" (probably even those that haven't) can tell you it's a raw, emotional song. Olivia explained that making music is a "magical" experience for her when saw how her songs connected with others. "I think heartbreak is so universal — the feeling that lots of humans feel the most deeply," she said. "I’ve never felt as deep a sadness as I did when I was truly, truly heartbroken and devastated. And when I put out 'Drivers License,' about this really hard time in my life, I watched it just affect so many people, regardless of sexual orientation or gender or age."
"There would be 40-year-old guys that would come up to me and be like, 'Wow, that really struck me.' Even if they weren’t going through a situation like that, they were like, 'Oh, it takes me right back to when I was in high school and I went through my first heartbreak.' That was so magical for me, to not only see how universal that feeling was, but also how magical music can be and it can take you back to a specific point in time."
She said one of the biggest things she's learned is how to separate herself from her work once it's out in the world and open for interpretation. "I always think that creativity is sometimes really magical and celestial, and if you’re a vessel for an amazing song, that’s awesome, but sometimes it doesn’t have anything to do with you," she said. "I try to not attach a lot of ego to it."