BABYMETAL has been heralded not just as a celebrated metal act, but as a fleshed-out and grand theatrical experience. How do you strike that balance between the music and the performance/visuals?
MOAMETAL: There are several elements in BABYMETAL that make us very unique. For example, we wear black costumes, have distinct hairstyles, have intense dance choreography, have the presence of the FOX GOD, etc. All of these things are very important to us. Even for performances, we’re not the type of artist to have an MC segment on stage. BABYMETAL is all about the storyline and so we portray that in our live performances and production, etc. Our choreography is especially special as it is sometimes mysterious and cool while others are comical and very powerful and super intricate. I would be happy if I heard that the balance of all of these different elements are what makes us appealing and fun to watch.
But to be honest, I’ve never really consciously thought about the balance of all these elements. As MOAMETAL, I just give it my all for each performance and it naturally takes shape within the world of BABYMETAL.
Oh, and let me especially mention that BABYMETAL’s dance choreography is very difficult. That being said, I always prioritize my health so I’m able to perform for all of you! I will continue to do my best and for me to do that, I will make sure that I have the perfect balance of eating, sleeping and enjoying what I do!
BABYMETAL in itself is a risk, and it certainly is one worth taking. What would you say has been the biggest risk you’ve taken in your career?
SU-METAL: The US tour in 2018 because at that time, we weren’t sure if YUIMETAL was going to be able to join us on tour, and when we found out she wasn’t able to, we were very unsure what the best move was: whether we go on tour without her, or we cancel the entire tour. After having in-depth conversations with MOAMETAL, we didn’t want to let our fans down and decided to do the tour. Especially for the first few performances, although we received a lot of blowbacks and it was a very difficult experience for both MOAMETAL and I, now looking back, I take it positively as it helped us become even stronger and closer than we were before as there were more opportunities for the both of us to communicate.
THE OTHER ONE is your first concept album. How did the layers come together?
SU-METAL: For this concept album, it portrays the BABYMETAL we never knew existed and the tracks are based on specific themes and myths. While BABYMETAL was sealed, there was THE OTHER ONE restoration project that was available online for exclusive members to enjoy the restoration progress of these tracks. Members would be able to hear snippets of random sounds at first but as time progressed, they would hear the music come together with the different layers combined. I’m excited for everyone to listen to this concept album!
How did the concept itself influence your songwriting process? Was it easier or harder to hone in on a specific story to tell?
SU-METAL: Since this concept album is a side story of BABYMETAL, the songwriting process was different compared to our past works. It is based on specific themes and myths so I would best describe the experience as entering an art museum and seeing 10 different individual art there. The impression of each song changed as we recorded over and over again, and even when I listened to it after it was completed, it still felt so different than the first time I heard it. And the more you listen to it and focus on the different parts of the song, your impression of it will also change. It’s a strange but interesting experience and I hope that everyone will get what I mean once they’ve heard it!
You’re approaching a decade since your debut album. What do you think are the most major changes you’ve noticed as a band? What about the industry as a whole?
SU-METAL: I feel that metal and hard rock have become more widely popular and mainstream. I’m glad that this has been the recent trend because when we started to listen to metal, it seemed to be very niche. But for BABYMETAL, I feel like we haven’t changed at all. We intend to continue to create our own type of music and having such incredible support from our fans for 10+ years has allowed us to remain being a one-of-a-kind artist.
Have you noticed a difference in playing for Japanese audiences compared to others, especially American ones? What about in the interactions with fans?
MOAMETAL: It’s always so fun to see so many distinct differences in our fans’ reactions between the US and Japan. When I first performed in the US, I was surprised to see so many people singing and dancing along with us while they watched us perform. And I would also hear cheers and applause during parts that I’d never heard in Japan. So I think it was only after going abroad that I realized how adaptable BABYMETAL’s music is.
In Japan, people tend to enjoy music in a similar manner and are relatively reserved so when I go outside of Japan, I get to see a whole new scene. I learned through traveling that music really has no boundaries and that it also applies to how one enjoys music. And I feel that all of these lessons helped widen BABYMETAL’s parameters musically and I’m very happy to have the opportunity of approaching music from such different angles. I really enjoy seeing how different countries have such different ways of enjoying live music!
In America especially, there is a common trope that metal fans are accepting despite how they may look or act. Being such a unique and transgressive act in a male-dominated space, what has your experience been like? Has it changed over time?
MOAMETAL: BABYMETAL has been fortunate to have been accepted not only by metalheads but also by prominent metal artists. We just can’t thank you enough for all of your support! Our music may not be standard metal music but we take metal very seriously. BABYMETAL’s music is a cross between metal and various musical elements that transcend genre boundaries, so it might be more fitting to think of it as a new type of metal music. And because it’s not your everyday type of metal, we’ve accepted the fact that there will be people who won’t be receptive to our music. But exceeding my expectation, I was ecstatic to see that so many metal lovers have shown their love and support in what we do and I’ve come to really love this genre because there are so many warm and kind people who appreciate and respect us as a proper artist and not judging based upon appearance or where we are from, etc. And as time went by, we were happy to see so many people being interested in us and I felt that we might really have a good chance at creating our own genre of music. Obviously, we’re nowhere close to reaching top legendary artists but I hope that we can be an artist who can bring positive influence for the metal world!