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Post by Admin on Jun 22, 2020 21:03:29 GMT
This performance was recorded on Feb. 12, 2020. We will continue releasing Tiny Desk videos of shows that had already been taped. In light of current events, NPR is postponing new live tapings of Tiny Desk Concerts. In the meantime, check out Tiny Desk (home) concerts! They’re recorded by the artists in their home. It’s the same spirit — stripped-down sets, an intimate setting — just a different space.
June 17, 2020 | Abby O'Neill -- On a brisk February morning, Alicia Keys, full of effervescence, entered NPR through the loading dock wearing a canary yellow faux fur coat. During our ride to the fourth floor, she joked about how she hadn't been invited to play at the Tiny Desk. That, of course, wasn't exactly true. We worked on and off for years to make this moment happen, and I can say wholeheartedly that it was worth the wait.
Alicia Keys has an aura that you can sense the second she enters a room, or in my case, an elevator. She radiates compassion and kindness. This spirit is the key to Keys's songwriting, which is rooted in introspection and mindfulness.
As she approached her piano, a bit surprised at the amount of people in the room, she smiled and remarked over her shoulder, "Gee, the Tiny Desk is tiny!" She kicked off the set with an uncanny ode to combat the darkness of this moment in American history: "Show Me Love," a single she released in 2019. No one could have predicted then how much her lyrics and musical healing would be crucial during this emotionally fraught time of unprecedented political and racial unrest, heightened by three months of quarantine due to a global pandemic.
The stand-out moment during her Tiny Desk was the premiere of "Gramercy Park", a song from her upcoming self-titled album, ALICIA, which is set to be released this fall. It's one of those timeless songs that will transcend radio formats and genres, with lyrics that address how utter selflessness and worrying about making everyone happy but yourself can throw your own center askew. The song's spiritual refrain is sure to be a sing-along moment for the rest of Keys's career.
She told the crowd after "Gramercy Park" that she's struggled with appeasing people her whole life, but she's trying harder now to set boundaries. Luckily for the Tiny Desk audience, that resolution didn't pertain to this concert. After wrapping up what was to be a three-song set with her latest single "Underdog," which you may have seen her perform at this year's Grammys, the crowd begged for an encore. After crowdsourcing suggestions, she and her band delivered a riveting rendition of Keys's breakout 2001 single, "Fallin'."
The world, now more than ever, needs more love, reflection and accountability – a mantra that's woven into every fiber of Alicia Keys's being and every lyric of her songs.
SET LIST "Show Me Love" "Gramercy Park" "Underdog" "Fallin'"
MUSICIANS Alicia Keys: vocals, piano; RAII & Whitney: vocals; Ant Parrish: bass; Curt Chambers: guitar; Mike Reid: drums; Omar Edwards: keys.
CREDITS Producers: Abby O'Neill, Morgan Noelle Smith, Kara Frame; Creative director: Bob Boilen; Audio engineers: Josh Rogosin, Natasha Branch; Videographers: Kara Frame, Maia Stern, Melany Rochester, Shanti Hands; Editor: Maia Stern; Associate Producer: Bobby Carter; Executive producer: Lauren Onkey; VP, programming: Anya Grundmann; Photo: Kisha Ravi/NPR
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Post by Admin on Jun 23, 2020 6:01:25 GMT
t’s been 19 years since Alicia Keys dropped her debut album, "Songs in A Minor," inviting listeners into the innermost musings of the then 20-year-old. Her career has sky-rocketed since, with 15 Grammy Awards, six more studio albums under her belt, and collaborations with everyone from Drake on the remix of "Unthinkable (I’m Ready)" to Beyoncé on "Put It In A Love Song." The classically trained pianist who sang of teenage crushes, first love and her beloved hometown of New York has grown into a multi-hyphenate activist and philanthropist, mother, wife and advocate for change who uplifts women, celebrates Black love and reinforces the power of self-love.
It comes as no surprise that Keys has a song to offer in the fight against systemic racism. Her stirring new single, "Perfect Way to Die", recalls the deaths of Trayvon Martin, Michael Brown and Sandra Bland, and chronicles the changes that communities have demanded as a result. Although the song was written a year ago, it is still harrowingly relevant today. Vogue spoke with the renowned musician about advocacy, unity and the need for art during times of unrest.
You were part of a series of video messages from powerful women that were all over social media in partnership with Until Freedom. How did that come about?
“[American activist] Tamika Mallory’s organization Until Freedom has done so many incredible things over the years for justice. I’ve known Tamika since we were kids and we have a really long-standing, beautiful relationship. We were talking and she was like, ‘If we can get a collective group of women to stand behind Breonna, that would be a powerful message and statement and [it would] allow it not to get lost.’ In a matter of two days, [there was] an amazing group of women who are all so motivated to make sure there’s something we can use our platforms for.”
What was it like speaking to Breonna Taylor’s family?
“We spoke to the family as a group, which was very powerful. We spoke to her sister, her mother and their lawyer, and we were able to get a sense of where everything was. As a mother, feeling like you’re yelling and screaming for months, and nobody is paying attention, and nobody is giving it the validity and seriousness it deserves… The family felt acknowledged. The timing was essential because Louisville was voting on banning the no-knock warrants. The no-knock warrants were banned and voted against, and it was a unanimous vote. That happened literally two days after the coming together of all these women, and all of us all over the world pushing for that. That felt positive for there to be movement.”
You also joined the call for justice for Ahmaud Arbery. What progress is being made there?
“In regards to Ahmaud and George [Floyd], every day I’m thinking about the updates, every day I’m thinking about where we are. The relentlessness is what has to remain. We’ve seen this story play out before. I know that we cannot tolerate the [killers] not being convicted. We can’t and I don’t think we will. It’s not looking like we will. I’m always educating myself, I’m always learning and figuring out the next steps and how we can continue to push forward. That’s something we’re all collectively doing, thinking about, and learning.”
Blackness is facing a lot right now. Not only do we have to be at the frontlines of an uprising, but we are also more at risk of contracting Covid-19. How do you feel about that duality?
“We keep calling Covid-19 a pandemic, but really, this injustice, this racism is the major pandemic. It’s the pandemic we’ve been dealing with for hundreds of years. It’s an all-out assault. For the first time, people of every color, background, and upbringing can bear witness to the assault and feel the pain of it. It’s time to see as clearly as we possibly can to stop all of this. The more we uncover, the more you can see. It is really overwhelming.”
How are you preparing yourself for this next moment? How are you staying inspired and keeping your mind together?
“What I’m definitely thinking about is the meaningful ways we can be engaging because we want to make sure that it’s leading somewhere. We’re very much seeing that overall, in regards to leadership, it feels non-existent. There are so many amazing people on the ground and that’s the part that inspires me and helps me to continue feeling motivated. It is a people’s revolution and the people will always lead. This is their fight, this is all of our fibre. There’s a real strong opportunity here to have some difficult conversations in a more constant way, a more candid way, and a more casual way. People have to come to terms with what they are doing and how they’re going to interface with all of this.”
As a parent, how are you talking to your children about this?
“I’ve always personally thought about and created a dialogue with my boys about just who we are, where we come from, our lineage and our greatness. I’ve always been a little bit of a maniac when it comes to school and what they’re teaching in regards to history. There’s just no ignoring it, that’s where the change is going to come. If we can look at our own homes, if we can look at our own businesses, if we can look at our own philosophies and start to do the housecleaning there and face it. What needs to evolve and change? What haven’t we done? What do we need help with? That, to me, will start the real undoing that’s so baked in.”
Do you feel hopeful about the future?
“I actually do feel hopeful. I mean, it is challenging. It is very difficult. It’s a lot to accept and recognize and be accountable for and figure out how we’re all going to hold our proper spaces. Each of us has something to do, you know, we all have something to do in the ways that we have to do it. Figuring that out and uncovering that and not turning away and not hiding — that is a part of the evolution, and that is a part of the revolution, and that is a part of where great change comes from.”
What kind of work do you think needs to happen from person to person?
“We are more connected on a human level. For the first time, probably in all of our lives across the globe, we were all experiencing the same experience. We’re creating more than ever, we’re able to create outlets that are helping us. We’re able to have dialogues that are different than we’ve ever had before. I believe in this collective consciousness that I see is happening. There’s a ton more that has to happen. It’s going to be a long walk and I have a feeling [that we all have] the stamina that it’s going to take to see this through and make sure it’s not some fleeting moment. That’s the thing that feels different. It doesn’t feel like a fleeting moment, it feels like something that we all have to commit 1 million% to doing differently.”
In March, you released your book. What was that process like?
“It’s called More Myself: A Journey and the timing is amazing because that’s something that we’re all experiencing and feeling. This idea of self-reflection. Who are we actually? What is your own truth? What is our truth that we have to carve out and figure out and create? The book has been a powerful [channel] to that conversation. It’s definitely my personal experience of coming more into myself. As a metaphor, it reflects all of us trying to find who we actually are.”
Can you tell us more about your new song, "Perfect Way to Die"
“I love the song so much. I wish it didn’t have to exist. It was written in reflection of [the deaths of] Michael Brown and Sandra Bland and it was written a little while ago, but right now is the time to share it. I keep saying, ‘I really hope there’s a time we won’t need to share it,’ but it keeps remaining relevant. This is a musical expression of what we’re seeing every day, this police brutality that is completely out of hand. The amazing thing about music is that it continues to connect us no matter what. I am moved that music remains this powerful tool to connect us and [help us] talk about what we’re seeing.”
How do you think music can reflect the changes that are happening in our world?
“Music has always been a huge conduit. It’s our most beautiful reminder that we’re not alone, we’re not the only ones feeling a certain way or going through a certain thing. So there’s a certain comfort it brings. Throughout history, some of the people I admire the most, such as Curtis Mayfield, Nina Simone, Bob Marley and John Lennon — their songwriting has an ability to capture what we’re feeling, what we’re seeing, and what’s needed. Songwriting has been one of the greatest ways to push things forward, [creating] the soundtracks to the greatest movements and evolutions. I believe that music plays a big part in that. It reminds us to stay connected to our spirit.”
Tell us about your forthcoming album
“The music is called Alicia. It’s been ready for a little while and I’m so excited to be able to share it because I’ve never felt more ‘Alicia’. I’m getting to know the many sides of myself, which is something I think we’re all experiencing. There’s not just one version of us. There’s not just one side. There’s the side that we present the most, but so many pieces that make us who we are. Obviously, the world drastically changed — or maybe didn’t change, but just became awakened to a new set of needs. The music is right on time. I just feel so, so clearly connected to where we are.”
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