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Post by Admin on Jul 2, 2016 19:49:22 GMT
Much fuss has already been made over Babymetal, who kick off the European leg of their tour this week, and their “kawaii-metal” sound. But I’ve arrived at a studio downtown to talk to band members Moa “Moametal” Kikuchi, 16; Yui “Yuimetal” Mizuno, 16; and Suzuka “Sumetal” Nakamoto, 18, about the other half of the equation: their idiosyncratic performance style. “You haven’t seen any other artists who sing metal while wearing such cute dresses!” Nakamoto tells me, waving toward the pleather peplum at her waist with a chiffon bishop sleeve. No argument there. Peering closely at the elaborate handiwork, the group’s reference points rise to the surface: a chrome-colored knit woven into each black tulle skirt is a playful nod to Metallica that catches the stage light; a silver snakeskin-stamped breastplate recalls the medieval chain mail of Joan of Arc and pairs well with a gothic floor-grazing cloak. “It also looks like fish scales!” Kikuchi says. “I like that.” Above all, the costumes are infused with Japanese culture—a cropped silk kimono with a white wood kitsune mask honors the folkloric fox demon. Then there are traces of Gothic Lolita—Tokyo’s iconic street style subculture—spliced into the fuwa fuwa tulle skirts, the Victorian ruffled collars. Therein lies the secret: At its core, Babymetal is a wholly Japanese phenomenon, a genuine cultural export. Where else but in Japan would the worlds of shredding guitar solos and doll-like dressing so perfectly collide? As Nakamoto tells it, the band has a secondary mission beyond music—that through their clothing, fans around the world might come to love the country’s one-of-a-kind style. “That’s what makes Babymetal special—not only the music, but the fashion,” she says. Which brings us to Harajuku, the birthplace of Gothic Lolita, where in their spare time, the girls wind their way along Takeshita Street, flipping through racks of tulle skirts with fresh crepes in hand, searching for inspiration. New to the neighborhood is a heavy metal tee shop; they’ll pop by to check if Babymetal shirts are in stock (not yet) and to look for Metallica, their favorite band. I ask if Metallica might be their next muse—blended together with Lolita clothes—and a collective whoa grips them. “It’s our fantasy to dress like them!” Mizuno says. “In the future, one day down the road,” Nakamoto adds. We can’t wait.
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Post by Admin on Jul 7, 2016 19:47:56 GMT
By fusing the worlds of J-pop and metal, Babymetal have managed to transcend not just genre borders but language barriers, as well. The teenage sensations' heavy sound, sugary hooks and flamboyant choreography make them fun to listen to and watch no matter what their fans' level of fluency in Japanese. Rolling Stone met with the trio during their recent visit to New York to discuss the boundaries that Babymetal help to break down. "In the past two years we've performed in many different places," singer Su-metal remarks. The band recently released their sophomore album Metal Resistance and has had the chance to tour the world since their 2014 self-titled debut took off. "We've noticed that even though we sing in Japanese, our fans study Japanese and sing along with us, and that people who like 'J-Pop' and people who like metal both enjoy our music just the same. With Metal Resistance, we want to continue bringing these worlds together with the power of music." As Moametal adds, they hope to win over fans from diverse backgrounds with their wildly theatrical live shows. "No matter where we perform, we always put a lot of energy into it," she says.
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Post by Admin on Jul 11, 2016 19:48:49 GMT
Let's say hypothetically someone who really isn't into rock or metal clicks on a random YouTube video, or turns to a random radio station or whatever, and is immediately blasted with something like Lamb of God or music to that effect. Chances are they'll probably dismiss it as noise and that's that. Now replace Lamb of God with Babymetal for a minute, and at the very least that person might stick around, or get the song stuck in their head. Maybe that'll be it, maybe they'll seek out more music like it. Like 'em not not, Dragonforce guitarist Herman Li makes a good point in his recent interview with Metal Wani (below) – Babymetal is a good gateway for non-metal fans to at least discover the power of rock and metal. "Babymetal in a way, the funny thing is… The way they combine the music and the show together with metal and the J-Pop stuff, they actually unite people that don't listen to rock and metal into metal… I believe they're definitely a band which is able to influence a lot of people that don't listen to rock or metal and discover guitar music — rock [and] heavy metal stuff — and I think that is a great thing."
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Post by Admin on Jul 13, 2016 19:45:38 GMT
Who knew that a three-piece, girl metal idol group would break the record Japanese artists have been trying so hard to break for the last 50 years? Countless artists have tried—ranging from R&B singer Toshinobu Kubota, pop goddess Utada Hikaru and Harajuku's favorite Kyary Pamyu Pamyu. The list goes on and on. Yet Babymetal is the first Japanese act in almost half a century to appear on the U.S. Billboard's Top 40 with their album Metal Resistance. Babymetal consists of Su-Metal, Yuimetal and Moametal. They are under the rule of "Kitsune-sama" or "Fox God," who personally chose the three to become Babymetal. (In Japan, foxes are believed to be a spiritual entity. [Naruto anyone?]) It may seem like a lot, but the three stars recently visited REVOLT's New York offices and spoke to us about the Fox God, their career and music, and even their fashion sense. The group is currently on (and slaying) their third world tour and you can still catch them at the following dates: 7/12 | Seattle, Washington | Showbox SoDo 7/14| San Francisco, CA | Regency 7/15 | Los Angeles, CA | The Wiltern 7/17 | Bridgeview, IL | Chicago Open Air Festival 7/18 | Columbus, OH | AP Music Awards
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Post by Admin on Jul 17, 2016 19:47:08 GMT
While Babymetal may sing about chocolate and karate and wear pigtails, they also represent the power that lies in girlhood. They're challenging the traditional archetypes of metal music, and that's not the only way they're subverting the genre -- they've also opened it up to a whole new generation of girls. They don't embrace the term "feminist" when describing their music, but the amount of success they've achieved as Japanese teen girls in a traditionally white, male-only musical niche says a lot about them as cultural icons. Equally important, they are also prominent, popular East Asian faces in a genre that's often criticized for its xenophobia and ties to white power groups. Their presence alone, not to mention their meteoric success, provides a stark contrast to the overwhelming whiteness of the metal mold. Yet, aspects of Babymetal still remain a total mystery; their songs and lyrics are claimed to be delivered to the girls through a supernatural deity they call "The Fox God" (a nod, perhaps, to several metal subgenres's deep love of Norse mythological tropes). Regardless though, there's no denying Babymetal is special, and what they're doing is completely different, if not unprecedented. Their biggest hope for their music, per the girls, is to "bring the world together," and they haven't done half bad, giving both Lady Gaga and Judas Priest fans a common interest. They are broadening the definition of who can be "metal" today. If they're the first of sign of a revolution of women-fronted metal bands, only the Fox God knows.
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